Does Sony Vegas Pro 14 Keep The Highest Audio Quality?
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This is a new codec in version 1 in Sep 2014. It is a codec well suited for VegasPro for several reasons. It's purpose is as a digital intermediate for multi-generations.I have been testing this on VegasPro13 and while I will not close the door on Cineform, this codec opens a new opportunity.
AS It encodes fast and efficient while being lossless. In real world test of recording a 32bit video level project with complex gradients - it kept everything intact as a duplicate of the original. Even higher end codecs cannot do this in VegasPro.Advantages - it tackles color space conversion dynamically which other capable codecs do not do. Compared to Sony XAVC - in MXF container (which is an excellent compression codec) the Magic YUV is 3.5x times as large and takes about 1.5x times as long to execute.
Does Sony Vegas Pro 14 Keep The Highest Audio Quality 2017
But XAVC loses considerably especially in gradients and some color fidelity.I encourage all to download this codec for a spin as digital intermediate in an.avi wrapper. There is a lot to be said for choosing a name and creating a brand. Do you recall the original developers of MPEG2 video encoding - their company was called Ligos - I was aboard their research team years and years ago. Who remembers? The fate of inventions means that someone else will eventually re-brand it.But I digress, AND now more about Magic. Actually it is a bit humorous, because the codec gives exactly that feel of magic, so the name applies. But, branding is a special topic and this one is most curious.For those with good memory banks, you will recall several efforts over 10 years ago to mainstream open-source codecs and one was branded Magic.
Start the 4K to Sony Vegas Pro 13 conversion Click the 'Start conversion' button, the 4K video converter will start encoding 4K files to Sony Vegas Pro immediately. After the files are converted, tap the Open button to locate the converted files and bring them into Vegas Pro with best audio and video quality, edit, export or share. VEGAS Pro 14 video editing software was released by new owners MAGIX aka Vegas Creative Software on September 20th, 2016. Vegas Pro has been around for a long time and gone through many different incarnations by three different owners now.
It did not get very far.Note this is a different party to the table as far as I can tell. My apologies.I looked at the Mediainfo report for the failing render and found that I must have mistakenly selected the Sony YUV codec.Complete name: C:UsersJohnDesktopMKZ.aviFormat: AVIFormat/Info: Audio Video InterleaveFormat profile: OpenDMLFile size: 3.72 GiBDuration: 40s 40msOverall bit rate: 797 MbpsEncoded by: John DennisTCOD: 0TCDO: 400400000VideoID: 0Format: YUVCodec ID: UYVYCodec ID/Info: Uncompressed 16bpp. YUV 4:2:2 (Y sample at every pixel, U and V sampled at every second pixel horizontally on each line). On the strength of a little testing, this codec really is magic!I've been using UT Video Codec for a few years, now up to version 14.2.0, and I've been very happy with it. I prefer it to HuffYUV and Lagarith because the playback is faster if 'Optimize for decoding speed (predict left)' is selected in the options.Now I have tried MagicYUV version 1.0 and basically it's better in every way. Thanks videoITguy! Unless I run into problems, I think this will be my intermediate of choice now.Here are my quick test results.
I tested using VP13 on with Windows 8.1. 1 x AMD HD6970 and 1 x NVIDIA GTX580. I left all the MagicYUV settings at their defaults. Playback was at Best (Full).
The playback figures are average rates. @VideoITguy - Are you saying that MagicYUV bests Cineform in image quality? Is it also 10 bit? I see the tag line on the site saying 4K 10 bit but does that translate over to HD footage as well? Cineform has been my go to intermediate codec but to get anything more you gotta pay to play - and given that the latest version of Premiere Pro CC reads Cineform natively instead of needing the various DLL files installed by their apps, I wonder if there's a catch. I tend to play conservative when it comes to post production tools (as my recent postings on still sitting on the fence with Vegas Pro has shown) so I'm somewhat hesitant to try something else - especially given there's no real technical support either free or paid to resolve issues quickly in a production environment.
Maybe you know something else I don't and I'm all for moving to something better if it's more or less ready for serious use. MagicYUV is an engineered lossless codec approximating uncompressed - so in a lot of ways immune to the compromises of compression codecs like Cineform.I have not a clue what all of the 4K SDK kit includes - it might require engineering dlls but I doubt it. The free codec is 8bit and that is all that VegasPro can really deal with on its own without dlls -but you can work it into a 32bit workflow - better than almost any other codec I am aware of. Now the 4k SDK is set to 10bit - but keep in mind that's a lot larger platform than you and I deal with.
I would discourage your thinking that Premiere 10bit handling is anything but about the same as what you will push out of VegasPro. Nick, Did you test Cineform, and how do it's render times and playback compare?John, I'm afraid I didn't test Cineform.
Only these 2 lossless codecs. I've only used UT Video Codec for intermediates in the last few years and it's been very good to me so I don't see the point to downgrade to a more lossy codec for working on material that originated as HDV. I have plenty of disc space and playback is smooth enough.Also, did you do any video quality comparisons?MagicYUV at default settings and UtVideo Codec RGB were truly lossless. Not a single pixel moved in the waveform or RGB parade compared to uncompressed. However there was a slight shift when I tested UtVideo Codec YUV422 709.So I'm happy so far to change to MagicYUV for work originating in 8-bit formats. If I wanted a near-lossless 8-bit codec now in Vegas Pro to save space or whatever then I would look seriously at the free Canopus AVI codecs. If they're good for Malowz they're probably good for me.
DNxHD has the Quicktime drawback, and there have been so many versions and licensing issues with Cineform over the years that I'm just left totally confused by it.I'm hoping to get an Atomos Shogun when it's out and record in 10-bit 4:2:2 via my GH4. Then I might occasionally need a 10-bit lossless or near-lossless intermediate from another codec, but really I'm hoping to just work on the native files.